over my dead "carkas", you will not dismantle my tomb.

The county of Derbyshire, particularly the northern part, was made up of enormous country parishes, covering great stretches of upland and consisting of lots of small townships.  Dethick, the township where Thomas had the centre of this estates, was part of the parish of Ashover.  Also in the parish of Ashover was the town of Lea, home to the equally wealthy Rolleston family.  For burial purposes these major families were expected to resort to the parish church of Ashover and the eastern bays of the north and south aisles were given over to the two families for their use.  The eastern bay of the north aisle was the ‘Rolleston quire’ and the eastern bay of the south aisle was the ‘Babington quire’.  As well as containing their graves, these spaces were decorated with heraldic stained glass that referred to the families and their alliances and in effect privatised the space.  The ‘Babington quire’ was dedicated to St Thomas of Canterbury and St Katherine and contained a perpetual chantry founded in 1511 by Thomas, at about the time his wife Edith Fitzherbert had died.
Babington appears to have had a particular attachment to St Thomas of Canterbury, his name saint and in his will he bequeaths his soul to ‘oure lady, saint John Baptist and Seint Thomas of Canterbury’ that they might pray for him.  Glass in the windows here and in the clerestory of the nave referred to Thomas Babington and Edith and also to their son Sir Anthony.  Sadly it has all gone.

This demarcation of separate space is not to suggest that the Rollestons and the Babingtons were at loggerheads or were in competition with one another, they were not.   Thomas Babington’s sister Anna was married to James Rolleston of Lea and they are commemorated by a brass in the church. Towards the end of Thomas Babington’s life his nephew Thomas Rolleston was in charge of the Lea estate.  The demarcation of separate space was to do with status and esteem, more than competition.   

As well as providing a chantry for this soul, he also erected during his own lifetime a tomb over the grave of Edith and this still remains in the Babington quire. Their tomb is a fabulous, fashionable and expensive alabaster monument, with recumbent effigies of Thomas and Edith in secular dress in the attitude of prayer.  He has a gold chain of office around his neck and a large purse at his waist, a wonderfully conspicuous way his wealth and political authority.  The effigies have been wonderfully recoloured to give the impression of their original appearance. 

Their many children occupy the sides of the tomb chest as weepers.  In form it strongly resembles the monument of his father-in-law Ralph Fitzherbert of Norbury.    On the west end of the monument, Thomas and Edith are shown kneeling on either side of figures of St Katherine and St Thomas of Canterbury, images that reflect Thomas’ personal devotion and the dedication of the chapel.  Thomas Babington was clearly in direct control of the creation of the monument.

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Although Edith was buried below this wonderful monument, it seems that Thomas wasn’t buried underneath it, in fact his extraordinary will expressly forbids it: