‘coheir of a heavenly realm’ – St Wystan and Repton

At the peak of it's power and prestige the Anglo-Saxon kingdom of Mercia stretched from the Humber to the Thames and from the Trent to the border of Wales. The kingdom was converted to Christianity in the second half of the seventh century after King Peada was baptised by Finan of Lindisfarne at Repton, one... Continue Reading →

“Remember the end”

Incorporating images of donors or patrons into the works of art they had commissioned, was a common occurrence in the late medieval west and one that I've written about before. Often these images are shown interacting with other images within a work of art, focusing and portraying a devotion to figures of the saints, or... Continue Reading →

Medieval Vestments 1.0 – Albs, Amices and Apparels

This is a first in a series of brief articles on late medieval western liturgical dress and vestments.  It is intended to provide a brief introduction to the terminology used to describe medieval vestments, for those who are unfamiliar with them.  My intention is to provide a guide that will help fellow art historians describe... Continue Reading →

Myth-busting – the ‘Devil’s Doors’ revisited.

Today I am delighted to be able to share with you a guest post written by my colleague Dr Nicholas Groves, in which he discusses the evidence for the most persistent of Ecclesiological myths, that of the 'Devil's door'.  Many medieval doors in churches are blocked up, some of the blocked doors are to the... Continue Reading →

“go to the eternal fire, you accursed” – a painted rood beam

Woodeaton in Oxfordshire has a super little medieval church with lots to delight and catch the interest. The walls have the remains of layer upon layer of medieval wallpaintings, including lots of red ochre lining out on the walls of the nave and a delightful St Christopher facing the main south door, just where you... Continue Reading →

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